L.E.D
There’s a lot to say about the 1980’s and music. It was still what I would call the golden age of popular music, starting with Beatles in the mid 1960’s – and would continue into the early years of the 1990’s – finally killed by music streaming both legal and otherwise.
Hard to believe now, but in those halcyon days one could actually make a living just writing songs. Imagine that.
Not saying it was easy, I worked at it day and night, and I was driven by love and compulsion (two very powerful forces that still play a role in my life today), not to mention inspiration by the incredible music that was being written and recorded by a pantheon of talent in those amazing years.
Into this “Gifted Age”, and only for a brief moment, came the musical group L.E.D. aka Lenny, Eddie and Dave.
Lenny Zakatek, had attained fame as the lead singer in The Alan Parson’s Project (“Eye in the Sky”, “Games People Play”) and his Canadian manager approached me and my then musical partner, Dave Tyson to write and produce a project for Lennie. Over the course of a few weeks L.E.D. was born. And, no – there’s no reason you should have ever heard about it, since none of the recordings we did were ever released publicly.
One of those demo recordings was a song called “Don’t Shed a Tear”, later recorded by one of my lifelong musical heroes, Paul Carrack.
Another was “Room With a View”, fortunately later recorded by another tremendous artist, Jeffery Osborne.
I recently came across the L.E.D. "demos" of these two songs, the ones Paul and Jeffrey would have heard when they were screening songs for their own albums. I'll be sharing those original L.E.D. recording, among others shortly
Thanks for reading and to be continued . . .
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Thinking about growing up in the 80s, there were a few forces that made music feel special. 1. There were mixtapes, so, sharing and listening to music was strongly communal in a way disembodies algos on Spotify fail to capture 2. Having VH1 and later MuchMusic, putting on music videos and feeling "plugged in" to something bigger than you was a way to touch that culture. Now culture is so fragmented, so, that feeling probably isn't coming back 3. The radio was also this great common touch point where you had a sense of belonging and community. And DJs taste really was important in those indie channels, it felt intimate.
True Josh, music was to a large extent a shared experience rather than a personalized and targeted on e now.